Malta
Consider how criticism might engage with race and religion (through two texts)
(889 Words)
Race and religion can form vital parts of any play or novel; history has proved that tension, be it through different religions/ races of people, has stirred up many conflicts. In this essay, I will refer to two texts namely ‘The Jew of Malta’ by Christopher Marlowe and ‘The Heart of Darkness’ by Joseph Conrad. I would like to show how criticism can engage from a story and that we can see the undertones of the text that shows racial and religious streams of thought and action. These narratives both show the act of colonialism/countries powers, which are true accounts of the Christian colonizers and the Turkish Siege of Malta as well as King Leopold and the Belgium Congo.
Initially, The Jew of Malta resonates with themes of religious tension, which was a parallel to the time, in the sixteenth century. There were not many Jews in England during this time. Jews in England secretly practiced. Many Jews who were born into the Jewish faith either converted or pretended to be Christians. Criticism can be pointed not only towards the non-secular people in England but also where this play tries to deal with the anti-semitic feeling that was rife throughout the whole of Europe. The Jewish people did not believe in Christianity, so they were a threat to social order. English Protestants felt that Jews were outsiders as well as Muslims and Catholics. Marlowe forces the reader to re-examine the factors that were the start of internationalism. It makes the reader comment about the internal affairs at that time. The subject of commerce and internationalism had a role in the unfolding drama that could be equal to the effects of antisemitism.
Furthermore, in 1594 the Queens physician Roderigo Lopez, a Portuguese Jew was tried and executed for treason on charges that included conspiring to poison the queen. The Lopez case inspired a wave of anti-Jewish feeling and was probably responsible for the appearance of several dramas dealing with Jewish characters including the revival of the Jew of Malta. At that time, Marlowe’s story would have assessed the Jewish implication as much as we do now. Barbaras is a Jewish merchant he is angered by the passage of law requiring all Jews to either convert to Christianity or give up one-half of their wealth. Barbaras’ daughter is also in love with a Christian. He commits crimes for revenge because he hates Christian race.
Marlowe wrote it about a Jew, of another religion, and let the reader see Barbaras as someone that is capable of any heinous crime, a factor brought on by other people’s motives. He is a wealthy Jewish man that cannot be trusted. Marlowe shows us a character of a Jew (Barbaras) and gives us that experience and thus forms the reader’s opinion. The main character Barbaras displays the kind of strategic cunning that is at odds with the Christian notions of altruism, but he shares much with Machiavellian self-advancement. There was anti-Machiavellian feeling that was widespread in Elizabethan England. In all do we admire or criticize Barbaras for his fight against the invaders?
In Conrad’s novel, we find a certain racial tension, which is documented throughout the novel, with reference to black and white with the insinuation to bad and good. The white race has the strong hold on the black. We find arguments with the whites who exploit the blacks though the whites are seen as dark souled. You feel pity for the blacks who are taken over. Europe at the time of the late 1900’s was generally thought a place of light or enlightenment and Africa was generally thought as a place of darkness. Conrad finds disparagement with the history of colonialism as it was applied in the Belgium Congo. We find criticism in the ways of the whites. He writes about the sociological investigation of those who conquer and those who are conquered and the complicated way between the two races.
King Leopold founded the ‘International Association for the Suppression of Slavery and the Opening up of Central Africa’ where he attempted to impose civilization and order. This colonial greed just fostered widespread abuse; so much for racial alliance! Conrad’s disparagement not only festered when he visited the Congo but also saw that exploitation suppurate everywhere. Again, we have reason to analyses; we find a race of people with their own motives trying to take over another country. Essentially, we come to evaluate the white race for their love of spreading salvation, religion, culture and commerce and not letting the blacks have their own. Do we admire or criticise the whites invaders for this?
To conclude, we find motivation for criticism because of some heinous acts from people of dissimilar races and religions. The height of racial tension must be thought to come from the colonialists who then thought that they were of superior wealth and knowledge that they would bring great ideas and make everything for the better although we find that they are not of the right knowledge to see the problems that they are causing. Here we have to challenge their motives. Racial and religious tension is made from acts that will not be forgotten with the passage of time, and we see here what mistakes each race of people could have made and the reactions that are born from them.
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This entry was posted in Christopher Marlowe, Imperialism and Colonialism, Joseph Conrad, Language, Literature, Shame and Guilt and tagged Barbaras, Belgium Congo, Conrad, Heart of Darkness, Jews, King Leopold, Malta, Marlowe, Racial tension, Roderigo Lopez, The Jew Of Malta, 克里斯托弗·马洛.