The Jew Of Malta

Consider how criticism might engage with race and religion (through two texts)

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Race and religion can form vital parts of any play or novel; history has proved that tension, be it through different religions/ races of people, has stirred up many conflicts. In this essay, I will refer to two texts namely ‘The Jew of Malta’ by Christopher Marlowe and ‘The Heart of Darkness’ by Joseph Conrad. I would like to show how criticism can engage from a story and that we can see the undertones of the text that shows racial and religious streams of thought and action. These narratives both show the act of colonialism/countries powers, which are true accounts of the Christian colonizers and the Turkish Siege of Malta as well as King Leopold and the Belgium Congo.

The Jew of Malta – Christopher Marlowe

Initially, The Jew of Malta resonates with themes of religious tension, which was a parallel to the time, in the sixteenth century. There were not many Jews in England during this time. Jews in England secretly practiced. Many Jews who were born into the Jewish faith either converted or pretended to be Christians. Criticism can be pointed not only towards the non-secular people in England but also where this play tries to deal with the anti-semitic feeling that was rife throughout the whole of Europe. The Jewish people did not believe in Christianity, so they were a threat to social order. English Protestants felt that Jews were outsiders as well as Muslims and Catholics. Marlowe forces the reader to re-examine the factors that were the start of internationalism. It makes the reader comment about the internal affairs at that time. The subject of commerce and internationalism had a role in the unfolding drama that could be equal to the effects of antisemitism.

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